AquaLibs presents AquaRank Discover the world’s leading aquascapers

Explore transparent rankings built from published results across the world’s leading aquascaping contests.

[TheStoriesOfTop7] Pure - Josh Sim / Malaysia - IAPLC 2020

This masterpiece is exactly what Nature Aquarium represents. Perhaps the black background was purposely used for the photoshoot to create an atomosphere at the time when the Nature Aquarium was born. It was the creator's exquisite performance. The judges definitely received his message. And an evaluation comment by Mr. Yamaguchi who chose this work as his Best Aquarium accurately captures the right interpretation. There is not only a superficial expression but spirituality in this work. Unlike other works, there is a profound feeling in this masterpiece.

IAPLC 2020 Gallery - Look back history - World Ranking 0003 - Silver Prize

Pure

Author: Josh Sim / Malaysia

Aquarium Size/W150×D60×H60 (cm)

Aquatic Plants

Bolbitis heudelotii

Cryptocoryne sp. parva

Fissidens fontanus

Eleocharis acicularis

Eleochalis sp.

Helanthium tenellum

Hemianthus callitrichoides 'Cuba'

Nymphaea micrantha

Nymphaea stellata

Nymphaea rubra

Nymphaea lotus 'Green'

Vesicularia dubyana

Fish & Invertebrates

Pterophyllum altum

Crossocheilus oblongus

Otocinclus affinis

Caridina multidentata

AWARDS

World Ranking 0003 Silver Prize IAPLC 2020

Comments

It was an unbelievably exciting and extremely cruel way of announcing the IAPLC 2020 result. The main concern that all participants had in mind was: we were not even sure if our names will be in the top127 announcement list. So, at the beginning of the announcement, we were very worried that our names will be called out too early, but toward the end of the announcement, we were even more worried that our names will not be called out at all. This mixed feeling happened to me on the night of the announcement. A few of us from different countries (Malaysia, Taiwan, Indonesia and Thailand) were watching it together using video conferencing tool. So when the announcement started from 127, I was quite worried that I would hear my name very soon. When the announcement reached Top 27 and my name has not being called out yet, I felt relief as there is hope that I am in the top 27. However, when my name was still not being announced when it reached Top 7, my heart started to beat very fast and I told my family members around me, I may not be in the top127 list at all. Every name that was being announced from Top 7 onward seems to take forever and the waiting period is just killing me. Finally when I heard my name and saw my tank photo at Ranking Number 3, I raised both my hands and sighed with a huge relieve. My friends in the video conference were shouting and applauding, my kids around me were also shouting and jumping up and down, it was such a beautiful moment. Waiting for the result letter/EMS was very torturing every year but this year, the torture has just gone 1 level up! An unforgettable night. .but I hope next year we will go back to the letter announcement.

Comment of Mr. Shogo Yamaguchi (Japan)

I wondered where the dignified appearance that this work possesses came from. The shiny body of the fish, the way light shines through the water, the ripples on the water surface and thriving aquatic plants. I suppose there are several elements, but I can't seem to find a right answer even if I mix them all together. The title says "Pure". When I saw the title, the view of the world in Mr. Takashi Amano's photo book "Nature Aquarium World" instantly came to my mind. This work brings back excitement I got when I saw the photo book for the first time when I was in my twenties. I have a feeling that this creator was trying to express the core part of Nature Aquarium. In that case, I guess there is no need to talk about the elements to explain about the work because the theme for this work is spirituality, and each element exists to express the theme. I think that if there is ever a time when I look back on the contest in the future, this work would become one of the turning points in the contest. I believe this work is that type of masterpiece.

 

Leave your comments
Latest on News & Press
  •  Analyse United States aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium

    The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label.
  • Analyse Germany aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water

    A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships.
  • Analyse Taiwan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth

    Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation.
  •  Analyse Thailand aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork

    Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph.
  • Analyse Indonesia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames

    The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff.
  • Analyse Malaysia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish

    A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately.
  • Analyse Brazil aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label

    Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe.
  • Analyse Japan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions

    A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage.
  • Analyse China aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    China at IAPLC 2026: How Layered Wood Creates Convincing Depth

    The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
  • Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity

    Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene.
  • Use the existing CIAC cover style with the wording “CIAC 2026 / OFFICIAL RESULTS / RANKINGS TO 119”. Use an actual contest photograph; do not claim “119 entries” or “full results”.

    CIAC 2026 Official Results Update: Rankings Extend to 119

    The CIAC 2026 Aquascaping Category results have received an official update. A results sheet distributed by the organising committee on 14 October lists ranks 14–119, extending the ranking information available beyond the image cards previously covered by AquaLibs.
  • CIAC 2026 results, ranks 31–70 — Beyond the Top 30

    CIAC 2026 Results: Beyond the Top 30, Ranks 31–70

    The CIAC 2026 story continues beyond the Top 30. This AquaLibs report brings together the contest image cards labelled 31–70, introducing more creators and forty positions to explore.
  • IAPLC 2026 Top 10 cover featuring three contrasting aquascapes with large white and turquoise lettering.

    IAPLC 2026 Top 10: Ten Aquascapes, Ten Underwater Stories

    Ten aquariums can draw us underwater in ten different ways. A luminous forest opening, a red surface canopy or an exposed rock valley changes where we look—and what we discover next.
  • Editorial cover for AquaLibs’ analysis of Chuanwei Yu’s IAPLC 2026 Grand Prize aquascape.

    IAPLC 2026 Grand Prize Aquascape: What Makes Chuanwei Yu’s Design Convincing?

    Chuanwei Yu’s 万物自然, the IAPLC 2026 Grand Prize aquascape, is immediately recognisable as a woodland scene. Its lasting interest lies in how that scene holds together. Large trunks establish the setting, finer roots connect its layers, planting softens the structure and fish make the spaces between the wood feel inhabited.
  • CIAC 2026 Top 3 analysis cover featuring Tectonic Memory, Under The Cave and 幽邃.

    CIAC 2026 Top 3 Analysis: Inside the Podium Aquascapes

    The CIAC 2026 podium offers three remarkably different ways to make an aquarium feel larger than its glass boundaries. Trần Anh Đức’s “Tectonic Memory” builds its world through folded rock contours. Acho Choky’s “Under The Cave” places the viewer beneath a dark canopy. Zhao Gang’s “幽邃” draws us through a planted valley animated by blue fish.
  • CIAC 2026 Top 30 results cover celebrating Vietnam’s winning aquascaper Trần Anh Đức.

    CIAC 2026 Top 30 Results: Trần Anh Đức Wins with Tectonic Memory

    Vietnam’s Trần Anh Đức has won the CIAC 2026 Aquascaping Group with “Tectonic Memory,” leading the newly published Top 30. Indonesia’s Acho Choky takes second place with “Under The Cave,” while China’s Zhao Gang (赵刚) finishes third with “幽邃.”