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[TheStoriesOfTop7] New chapter - Trung Phan / VietNam - IAPLC 2022

1970

The first Bronze Prize went to the work with its fresh greenery and soft expression. The compositional material is stone, and although a large number of stones are used, the hardness of the stones disappears and the soft impression is created by the mosses and epiphytic aquatic plants effectively placed on the surface. In addition, the flexible tape-shaped aquatic plants in the background and the bright green Eleochalis acicularis planted in front of the stones enhance the soft impression of the aquascape and give it a more refreshing look. The fish also fit the aquascape well, making it a pleasant work that is typical of a planted aquarium.

[TheStoriesOfTop7] New chapter - Trung Phan / VietNam - IAPLC 2022

The fifth place in the world ranking (Bronze Prize) was a work called "New chapter" by Mr. Trung Phan from Vietnam, which scored total 1,235 points. This work was selected individually as one of the top 10 works by 5 out of 10 judges, and Mr. Shogo Yamaguchi (Japan) selected it as his Best Aquarium.

IAPLC 2022 World Ranking Announcement - World Ranking 0005 - Bronze Prize

New chapter

Author: Trung Phan / VietNam

Aquarium Size/W120 x D65 x H50(cm)

Aquatic Plants

Vallisneria nana

Fissidens splachnobryoides

Taxiphyllum alternans

Eleocharis pusilla

Anubias barteri var. nana 'Petite'

Bucephalandra sp.

Helanthium tenellum

Fish & Invertebrates

Paracheirodon axelrodi

AWARDS

World Ranking 0005 Bronze Prize IAPLC 2022

Comments

I was very nervous when I was watching the countdown of the winning works. When the hosts started announcing the top 7, my work had not yet been announced, so I thought my chances of winning were zero. However, when the top 5 were shown on the screen, it was beyond my imagination. I jumped up and down and screamed so loud that I lost myself. It was a memorable result and even more significant in the sense that it was a new achievement in my life.

Comments from Mr. Shogo Yamaguchi (Japan)

I think the layout is dignified without being eccentric. It is orthodox, yet has an appeal that draws you in. The skeletal IWAGUMI does not make an extreme statement, giving the impression of the work that is different from those that are based on finished drawings. What is symbolic is the large cave visible in the IWAGUMI on the right side, which appears to be the result of a trial-and-error process to bring out the best of the materials at hand. The rough IWAGUMI is softened by the gentle texture of the mosses. Although the layout with many mosses tends to be dark, the back screen and white cosmetic sand make it a bright landscape. These contradictory elements are in per- fect harmony with each other, and seem to enhance the perfection of the work. What came to mind when I saw this work was Mr. Amano's earlier collections of works, "Glass no Naka no Daishizen" and "Mizu - Shizen eno Kaiki". One can only imagine what the creator had in mind for "New chapter", but perhaps it is a message from the creator that he has gone back to his roots and found the future of layout there.

 

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