AquaLibs presents AquaRank Discover the world’s leading aquascapers

Explore transparent rankings built from published results across the world’s leading aquascaping contests.

AGA 2026 Results: Chuanwei Yu Wins Best of Show

A forest layout takes Best of Show

In All Begins to Nature, a pale sand path recedes between roots into a bright clearing. The judges highlighted how the branches pull in different directions without upsetting the balance of the layout. That sense of movement is worth a closer look: trace one branch across the frame, then see how another brings your eye back towards the centre.

The win comes less than a month after Yu topped the IAPLC 2026 world ranking. View the winning aquascape and read the judges’ comments, or explore Chuanwei Yu’s competition record on AquaRank.

AGA 2026 Aquatic Garden: Overall Top 10

Brazil placed three works in the top five. Marreira Júnior finished second with Várzea, the winner of the 90–220L class, while Luis Carlos Ardid Galarraga took third with The Hanging Gardens of Babylon. The list below covers the first ten of 291 ranked Aquatic Garden entries, combining all four tank sizes. The other contest categories publish their results separately.

Combined Aquatic Garden standings
Rank Aquascape Aquascaper Country / area Size
1 All Begins to Nature (万物自然) Chuanwei Yu (余传威) China 220L+
2 Várzea Marreira Júnior Brazil 90–220L
3 The Hanging Gardens of Babylon Luis Carlos Ardid Galarraga Brazil 220L+
4 The Creation Of Nature Muhammad Yusuf Indonesia 220L+
5 Rift Valley Rubens Gadelha Brazil 90–220L
6 High Tide Rahul Mukherjee India 220L+
7 Magic Leaves Nobphacha Yimyou Thailand 220L+
8 Dandakaranya — The Forest of Exile Rajan Bhaumik India 90–220L
9 羁绊 梁劲 China 220L+
10 Between Notes Ryan Noel United States 220L+

Judges’ Choice and Seachem Choice

Judges’ Choice: Magic Leaves by Nobphacha Yimyou of Thailand. The first winner of this award finished 7th overall in Aquatic Garden. Red lotus leaves at the surface make the viewer feel as though they’re looking up through the water, a perspective singled out in the judges’ comments.

Seachem Choice: After the Storm by Eduardo Hidalgo of Brazil. The sponsor’s selection placed 68th overall in Aquatic Garden. Both awards are worth following beyond the podium: they point readers to layouts they might otherwise scroll past.

First place in each of the 10 contest classes

Classic made its debut in 2026, with South Korea’s Kim Na Hyon taking first place. The Classic guidelines put the emphasis on healthy planting, balance and a natural sense of scale. Germany’s Karsten Dünne won two separate categories, Paludarium and Riparium.

Class and category winners
Class Winning aquascape Aquascaper Country / area
Aquatic Garden 0–45L Blessed Nature Angelo Roberto Colombo Italy
Aquatic Garden 45–90L Toruk Makto Gustavo Pimenta do Nascimento Brazil
Aquatic Garden 90–220L Várzea Marreira Júnior Brazil
Aquatic Garden 220L+ All Begins to Nature (万物自然) Chuanwei Yu (余传威) China
Classic Learn From Nature Kim Na Hyon South Korea
Biotope Wetlands along the mid-reaches of Licun River in Qingdao, Shandong, China Xinyi Huang China
Dutch Three Kings Timothy S. Gross United States
Wabi Kusa Soulmate Sandunika Lakshani Thilakarathne Sri Lanka
Paludarium Liminal Karsten Dünne Germany
Riparium Ancient Echo Karsten Dünne Germany

Vietnam’s Aquatic Garden results

Five entries listed under Vietnam appear in the combined Aquatic Garden standings. Trần Anh Đức led the group at 22nd with Tectonic Memory. Pham Duc Manh’s Drift placed 76th, giving Vietnam two entries in the overall top 100.

Browse the full AGA 2026 results and galleries or explore more aquascaper profiles on AquaRank. Which layout has an idea you’d try in your own aquarium?

TOP 10 Aquatic Garden less than 45L

TOP 10 Aquatic Garden 45L - 90L

TOP 10 Aquatic Garden 90L - 220L

TOP 10 Aquatic Garden 220L +

TOP 3 Biotope

TOP 3 Dutch

TOP 3 Wabi Kusa

TOP 3 Paludarium

TOP 3 Riparium

TOP 3 Classic

Leave your comments
Latest on News & Press
  • EAPLC 2026 Aquascape Lessons by Tank Size: From Nano Focal Points to Large-Scale Perspective

    EAPLC 2026 Aquascape Lessons by Tank Size: From Nano Focal Points to Large-Scale Perspective

    The official EAPLC 2026 results offer more than a list of category winners. They provide useful case studies in how composition, planting, hardscape, and livestock work together at different scales. These observations are not fixed rules or mandatory formulas, but practical ideas aquascapers can adapt to their own tanks.
  • Analyse Spain aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Spain at IAPLC 2026: Roberto Buenadicha’s Forest and the Space Between Trunks

    Roberto Buenadicha’s aquarium is the only Spanish work in the published ranks 1–300. Its slender dark trunks, fine green planting and conspicuous pale fish make it a rewarding individual study. This instalment returns to the older Spain introduction through one photograph, keeping the scope small enough for the evidence available.
  • Analyse France aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    France at IAPLC 2026: A Close Reading of Jean Christophe Grosset’s Woodland

    Only one French work appears in the published ranks 1–300. That gives this instalment a different task: a close reading of Jean Christophe Grosset’s aquarium, with the older country introduction as context. The photograph deserves attention for its own wood, planting and fish relationships, rather than being made to represent every French aquascaper.
  • Analyse Singapore aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Singapore at IAPLC 2026: Open Stone and an Enclosed Planted Passage

    Two Singaporean works appear in the published ranks 1–300, and they offer an unusually clear contrast. One makes open water and two main stones central; the other encloses a small rear opening within dense planting and roots. The pair is useful precisely because it does not support one simple visual label.
  • Analyse Hong Kong aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Hong Kong at IAPLC 2026: Three Studies in Light, Layers and Visual Impact

    A low timber ceiling, blue-toned terraces and converging planted diagonals create three visibly different aquariums. Hong Kong’s represented works at ranks 1–300 offer a compact study of visual impact beyond the season’s leading awards. Looking at them closely is more informative than treating the cutoff count as a verdict on an entire aquascaping community.
  • Analyse Italy aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Italy at IAPLC 2026: Calm Routes and More Dramatic Planted Frames

    A clear route through planted banks can feel quiet; a coloured ridge beneath a dark frame can feel theatrical. The four Italian photographs selected for this study offer both experiences. Together, they make a useful contemporary comparison with an archive that once placed particular emphasis on calm, enduring-looking compositions.
  •  Analyse United States aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium

    The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label.
  • Analyse Germany aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water

    A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships.
  • Analyse Taiwan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth

    Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation.
  •  Analyse Thailand aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork

    Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph.
  • Analyse Indonesia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames

    The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff.
  • Analyse Malaysia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish

    A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately.
  • Analyse Brazil aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label

    Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe.
  • Analyse Japan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions

    A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage.
  • Analyse China aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    China at IAPLC 2026: How Layered Wood Creates Convincing Depth

    The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
  • Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity

    Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene.