AquaLibs presents AquaRank Discover the world’s leading aquascapers

Explore transparent rankings built from published results across the world’s leading aquascaping contests.

[TheStoriesOfTop7] Evergreen - NgoTruongThinh / VietNam - IAPLC 2013

In such a landscape in nature, we often see some trees rooted in crevice to cling to the rock and grass and moss grown on a little soil in rock pockets. This work was rated high overall in terms of its skillful expression of actual natural landscape in a planted aquarium.

IAPLC 2013 - World Ranking 0001

Evergreen 

Author: Ngo Truong Thinh / VietNam

Aquatic Plants

Fissidens fontanus sp.mini
Taxiphyllum sp.

Fish & Invertebrates

Hyphessobrycon amandae
Boraras urophthalmoides
Xiphophorus variatus var.
Neocaridina heteropoda var. red
Caridina multidentata

Comments

My layout of this year is expressed through the imagination of the spectacular caves which were discovered in Vietnam in recent years. Some rare pictures of these sceneries had stimulated me to make the layout, including forest, mountains and caves. I tried to collect a lot of the beautiful scen- ery pitures around the world to complement ideas during the process of creation. I hope that the layout "Evergreen" will give a natural and comfort- able feeling for everyone. I participated IAPLC for the first time in 2008 and have joined continuously till this year. IAPLC is always an attractive contest because there are so many beautiful and creative layouts. I am very happy to be a part of IAPLC, and Nature Aquarium is also a part of my life. I was very nervous while waiting and then got extremely excited when the result of IAPLC 2013 was announced. Winning the first place is always the dream of anyone who participates in this competi- tion, including myself. IAPLC 2013 is a great event that I can not forget, my dream has come true. Now and forever in my mind: Nature Aquarium is shimmeringly vivid picture of beautiful dreams. IAPLC is an opportunity to share my dream with friends everywhere. I would like to give sincere thank to the IAPLC Organization, all the Judges and everyone who participated IAPLC 2013

Judges' Comments

Mr. Truong Thinh Ngo (Viet Nam) won this year's Grand Prize with his layout work "Evergreen", out of 2,164 entries. Four juries selected this layout as their Best Aquarium of the year. This is an exceptional work in terms of the level of perfection as well as the impression it gives to viewers. Here are the comments from the

Comment of Mr. Huang Yu-Fa (TAIWAN)

Mr. Truong Thinh Ngo (Viet Nam) won this year's Grand Prize with his layout work "Evergreen", out of 2,164 entries. Four juries selected this layout as their Best Aquarium of the year. This is an exceptional work in terms of the level of perfection as well as the impression it gives to viewers. Here are the comments from the juries.

I chose this work as my best aquarium because its well-designed stone composition demonstrates an overwhelming expression just like towering Mount Taishan in China. This layout created in a 120cm aquarium surprised me because it actually looks as if it sits in a 180cm tank. The skillful arrangement of stones and aquatic plants is filled with a pure, secluded natural feel. Use of mosses as the main plant produces the impression of fresh green of a moun- tain which can be appreciated just like a Chinese landscape paint- ing. I strongly feel the creator's dedication and passion from this work. I am sure that it is hard to maintain this layout. I give the highest marks to this work for its beauty and dynamic vibrancy.

Comment of Mr. Frantisek Kolin (CZECH REPUBLIC)

This year I found it's especially hard to determine a winner, as there were several first-class layouts. In the end I decided to vote for layout, "Evergreen". For me it truly expresses nature, and it is exactly what I expect to see when I hear the name Nature Aquarium. This layout depicts the true power of nature that con- quers everything, even rocks and stones. The creator of this layout has successfully combined rocks and plants to show this force of nature, invoking a picture of nature that looks convincingly real.

Comment of Mr. Johnson Wai (HONG KONG)

This is a very beautiful aquascape. I absolutely didn't believe this looked like natural scene in front of me. How much time did the creator spend his efforts to work for this 3D aquascape? He cre- ated a harmonious atmosphere, balance of rocks and a very good matching of fishes. Rocks were well selected and they were arranged in the best positions. Water condition is good. The work is impressive, very mild and comfortable. I like it very much.

As we see, this year's Grand Prix work has a motif of a mountain view and trees, and in a sense, it's a fusion of the layout styles that have been popularly practiced in the recent years. As for the grading result, a great expression of the trees, which were planted between rocks, scored a high "Impression" point.

Comment of Mr. Jeremy Gay (U.K.)

My first impressions were that the aquascape is larger than it actu- ally is, so it uses a good sense of scale, but that it also shows high skill levels demonstrated by the aquascaper because of the intri- cate rockwork and the creation of miniature trees. Terrestrial trees- capes aren't new in the IAPLC by any means, with just such an aquascape winning the competition in 2012, but with this scape I thought the hardscape would have scored highly on its own, as an Iwagumi, without the miniature trees added on top. As a whole I think the aquascape looks bright and inviting, and represents a miniature world, which I'd like to explore more of. The lighting and background colour makes the scape look naturally sunlit without being over the top, and I think the fish suit the scape in terms of composition, size, variety and colour. I think a sign of a good aquascape is when you can focus on specific areas and find that they are good, pleasing, mini aquascapes in their own right, espe- cially with the valley section and pathway, and you could cut a chunk off the length of this scape and it would still look good. When compared with other treescapes I've judged I found this one the easiest on the eye, and probably the one I would most want to own.

Leave your comments
Latest on News & Press
  • Analyse Spain aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Spain at IAPLC 2026: Roberto Buenadicha’s Forest and the Space Between Trunks

    Roberto Buenadicha’s aquarium is the only Spanish work in the published ranks 1–300. Its slender dark trunks, fine green planting and conspicuous pale fish make it a rewarding individual study. This instalment returns to the older Spain introduction through one photograph, keeping the scope small enough for the evidence available.
  • Analyse France aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    France at IAPLC 2026: A Close Reading of Jean Christophe Grosset’s Woodland

    Only one French work appears in the published ranks 1–300. That gives this instalment a different task: a close reading of Jean Christophe Grosset’s aquarium, with the older country introduction as context. The photograph deserves attention for its own wood, planting and fish relationships, rather than being made to represent every French aquascaper.
  • Analyse Singapore aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Singapore at IAPLC 2026: Open Stone and an Enclosed Planted Passage

    Two Singaporean works appear in the published ranks 1–300, and they offer an unusually clear contrast. One makes open water and two main stones central; the other encloses a small rear opening within dense planting and roots. The pair is useful precisely because it does not support one simple visual label.
  • Analyse Hong Kong aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Hong Kong at IAPLC 2026: Three Studies in Light, Layers and Visual Impact

    A low timber ceiling, blue-toned terraces and converging planted diagonals create three visibly different aquariums. Hong Kong’s represented works at ranks 1–300 offer a compact study of visual impact beyond the season’s leading awards. Looking at them closely is more informative than treating the cutoff count as a verdict on an entire aquascaping community.
  • Analyse Italy aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Italy at IAPLC 2026: Calm Routes and More Dramatic Planted Frames

    A clear route through planted banks can feel quiet; a coloured ridge beneath a dark frame can feel theatrical. The four Italian photographs selected for this study offer both experiences. Together, they make a useful contemporary comparison with an archive that once placed particular emphasis on calm, enduring-looking compositions.
  •  Analyse United States aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium

    The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label.
  • Analyse Germany aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water

    A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships.
  • Analyse Taiwan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth

    Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation.
  •  Analyse Thailand aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork

    Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph.
  • Analyse Indonesia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames

    The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff.
  • Analyse Malaysia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish

    A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately.
  • Analyse Brazil aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label

    Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe.
  • Analyse Japan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions

    A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage.
  • Analyse China aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    China at IAPLC 2026: How Layered Wood Creates Convincing Depth

    The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
  • Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity

    Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene.
  • Use the existing CIAC cover style with the wording “CIAC 2026 / OFFICIAL RESULTS / RANKINGS TO 119”. Use an actual contest photograph; do not claim “119 entries” or “full results”.

    CIAC 2026 Official Results Update: Rankings Extend to 119

    The CIAC 2026 Aquascaping Category results have received an official update. A results sheet distributed by the organising committee on 14 October lists ranks 14–119, extending the ranking information available beyond the image cards previously covered by AquaLibs.