IIAC 2017 PARTY
TOP 50 IIAC 2017 WORLD RANKING
IIAC 2017 World Ranking Announcement
2894
IIAC 2017 received 803 entries from 38 countries and areas.
Latest on News & Press
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United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium
The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label. -
Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water
A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships. -
Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth
Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation. -
Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork
Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph. -
Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames
The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff. -
Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish
A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately. -
Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label
Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe. -
Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions
A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage. -
China at IAPLC 2026: How Layered Wood Creates Convincing Depth
The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable. -
Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity
Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene. -
CIAC 2026 Official Results Update: Rankings Extend to 119
The CIAC 2026 Aquascaping Category results have received an official update. A results sheet distributed by the organising committee on 14 October lists ranks 14–119, extending the ranking information available beyond the image cards previously covered by AquaLibs. -
CIAC 2026 Results: Beyond the Top 30, Ranks 31–70
The CIAC 2026 story continues beyond the Top 30. This AquaLibs report brings together the contest image cards labelled 31–70, introducing more creators and forty positions to explore. -
IAPLC 2026 Top 10: Ten Aquascapes, Ten Underwater Stories
Ten aquariums can draw us underwater in ten different ways. A luminous forest opening, a red surface canopy or an exposed rock valley changes where we look—and what we discover next. -
IAPLC 2026 Grand Prize Aquascape: What Makes Chuanwei Yu’s Design Convincing?
Chuanwei Yu’s 万物自然, the IAPLC 2026 Grand Prize aquascape, is immediately recognisable as a woodland scene. Its lasting interest lies in how that scene holds together. Large trunks establish the setting, finer roots connect its layers, planting softens the structure and fish make the spaces between the wood feel inhabited. -
CIAC 2026 Top 3 Analysis: Inside the Podium Aquascapes
The CIAC 2026 podium offers three remarkably different ways to make an aquarium feel larger than its glass boundaries. Trần Anh Đức’s “Tectonic Memory” builds its world through folded rock contours. Acho Choky’s “Under The Cave” places the viewer beneath a dark canopy. Zhao Gang’s “幽邃” draws us through a planted valley animated by blue fish. -
CIAC 2026 Top 30 Results: Trần Anh Đức Wins with Tectonic Memory
Vietnam’s Trần Anh Đức has won the CIAC 2026 Aquascaping Group with “Tectonic Memory,” leading the newly published Top 30. Indonesia’s Acho Choky takes second place with “Under The Cave,” while China’s Zhao Gang (赵刚) finishes third with “幽邃.”
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