IIAC 2017 PARTY
TOP 50 IIAC 2017 WORLD RANKING
IIAC 2017 World Ranking Announcement
2955
IIAC 2017 received 803 entries from 38 countries and areas.
Latest on News & Press
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EAPLC 2026 Aquascape Lessons by Tank Size: From Nano Focal Points to Large-Scale Perspective
The official EAPLC 2026 results offer more than a list of category winners. They provide useful case studies in how composition, planting, hardscape, and livestock work together at different scales. These observations are not fixed rules or mandatory formulas, but practical ideas aquascapers can adapt to their own tanks. -
AGA 2026 Results: Chuanwei Yu Wins Best of Show
Chuanwei Yu (余传威) of China has won Best of Show at the 2026 AGA International Aquascaping Contest with All Begins to Nature (万物自然). The Aquatic Garden 220L+ winner also took first place in the combined Aquatic Garden standings. Announced on November 7, the official AGA 2026 results cover 422 entries from 343 contestants across 54 countries. -
Spain at IAPLC 2026: Roberto Buenadicha’s Forest and the Space Between Trunks
Roberto Buenadicha’s aquarium is the only Spanish work in the published ranks 1–300. Its slender dark trunks, fine green planting and conspicuous pale fish make it a rewarding individual study. This instalment returns to the older Spain introduction through one photograph, keeping the scope small enough for the evidence available. -
France at IAPLC 2026: A Close Reading of Jean Christophe Grosset’s Woodland
Only one French work appears in the published ranks 1–300. That gives this instalment a different task: a close reading of Jean Christophe Grosset’s aquarium, with the older country introduction as context. The photograph deserves attention for its own wood, planting and fish relationships, rather than being made to represent every French aquascaper. -
Singapore at IAPLC 2026: Open Stone and an Enclosed Planted Passage
Two Singaporean works appear in the published ranks 1–300, and they offer an unusually clear contrast. One makes open water and two main stones central; the other encloses a small rear opening within dense planting and roots. The pair is useful precisely because it does not support one simple visual label. -
Hong Kong at IAPLC 2026: Three Studies in Light, Layers and Visual Impact
A low timber ceiling, blue-toned terraces and converging planted diagonals create three visibly different aquariums. Hong Kong’s represented works at ranks 1–300 offer a compact study of visual impact beyond the season’s leading awards. Looking at them closely is more informative than treating the cutoff count as a verdict on an entire aquascaping community. -
Italy at IAPLC 2026: Calm Routes and More Dramatic Planted Frames
A clear route through planted banks can feel quiet; a coloured ridge beneath a dark frame can feel theatrical. The four Italian photographs selected for this study offer both experiences. Together, they make a useful contemporary comparison with an archive that once placed particular emphasis on calm, enduring-looking compositions. -
United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium
The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label. -
Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water
A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships. -
Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth
Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation. -
Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork
Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph. -
Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames
The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff. -
Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish
A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately. -
Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label
Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe. -
Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions
A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage. -
China at IAPLC 2026: How Layered Wood Creates Convincing Depth
The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
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