AquaLibs presents AquaRank Discover the world’s leading aquascapers

Explore transparent rankings built from published results across the world’s leading aquascaping contests.

[TheStoriesOfTop7] Ascend - Matthew Israel Manes / Philippines - IAPLC 2022

The first place (Grand Prize) in the world ranking of the IAPLC 2022 went to the work "Ascend" by Matthew Israel Manes of the Philippines, which scored 1,418 overall points. This work was selected individually as one of the top 10 works by 6 out of 10 judges. And the Brazilian judge, Mr. Andrě Longarço especially praised it as his Best Aquarium. His comments are as follows.

IAPLC 2022 World Ranking Announcement - World Ranking 0001 - Grand Prize

Ascend 

Author: Matthew Israel Manes / Philippines

Aquarium Size/W120 × D45 × H45 (cm)

Aquatic Plants

Hemianthus callitrichoides 'Cuba'

Micranthemum sp.

Bucephalandra sp.

Lilaeopsis brasiliensis

Glossostigma elatinoides

Marsilea crenata

Ranunculus inundatus

Riccardia chamedryfolia

Hemianthus micranthemoides

Rotala mexicana 'Goias'

Fish & Invertebrates

Poropanchax normani

Cherry shrimps

AWARDS

World Ranking 0001 Grand Prize IAPLC 2022

Best of Show & 1st Place AGA 2022 - Aquatic Garden 220 ~ 320L

Comments

As an Aquascape artist, this is my best year yet. I said I would not watch the YouTube video on the announcement day. Why? Just like last year, I was anxious, and my heart trembled. I do not like that feeling. I was at church that evening. I requested my best friend Nico to watch the video for me. He agreed to tell me the outcome later. Results came out. "Are you ready to see your rank?" he asked. "Yes," I replied. When he handed me his phone, the word GRAND PRIZE flashed across the screen. There are no words to describe how I felt that night. My tears suddenly burst out because I remembered this was just my dream. I put a lot of effort into this. I had made a pledge to myself before the announcement day that I would bring triumph to my nation. It will be recognizable on a global scale. The grand championship will be won by a Filipino for the first time ever. We know IAPLC is one of the world's most prestigious aquascaping contests. If you win the GC, it's a remarkable history in the world of Aquascaping

Comments from Mr. Andrě Longarço (Brazil)

What an amazing and awesome job! The effect caused by the perspective and the plateaus created with the rocks provided an incredible and very natural atmosphere. The use of well-defined lines of force and a lot of shadow brought strength, dynamism and personality to this layout, which despite not working on an unprecedented idea, brought a lot of innovation and personal touches to this version, that set it apart from the other brilliant works of this year. The use of plants with leaves of different textures and larger in the regions close to the observer, brought a lot of gain in the sense of perspective and depth, and the monochromatic tonality gave class to the work. The choice of fish and their small size were also very important to enhance this effect. In this way we have a grandiose and monumental look. The displacement of the empty point to "the Golden Ratio" gives harmony and a lot of naturalness to the composition. In the same way that the use of this same technique vertically, it brought aesthetic gains to the layout, since the aesthetic strength of the rocks is also displaced to the upper golden ratio. (vertically speaking) Just as a comment, I would not have used the red neocaridina shrimps in this layout, as they could have harmed the final result, if they were more evident. I confess that the front portion of the work seemed a little full of plants, and therefore, I missed another void or empty space like a beach, with cosmetic sand in this position, but nothing that disapprove this impressive work. Works like this that make our community more powerful! Congratulations on your dedication, talent, and audacity.

Comments from Mr. Frederic Fuss

This is a testament of hope.
The work speaks to me. And yet at first I couldn't explain why.
It's the design of a cave an idea that has been around long before. And at the same time this is something special.
As a juror it is my duty to analyze the work submitted to me.
So I first set about drawing on the picture.
If you mark the focus points it doesn't make much sense. Of course all points have a structure but the structures appear very similar. The design is almost symmetrical.
It made more sense when I started drawing ovals from the vanishing point and vectors that go in curved curves rather than straight lines.
You created a tunnel effect.
Caves have the property of triggering anxiety but you show us the way out.
A powerful message that reaches people of all ages. "Do not fear the light is near".
A strong message a good message a message that we can all use in difficult times.
Thank you for that!

Comments from Mr. Andre Longarço

Monumental and breathtaking work.
Despite not starting from a new idea this masterful work brought a lot of innovation and personal touches thanks to the way in which the author used the hardscape creating plateaus that accentuated the perspective providing an incredible and very natural atmosphere.
The lines of force are easily noticed accentuated even more by the perfect use of shadows.
In this work the intelligent use of green plants with different textures and sizes stands out which give class to the work using larger leaves in the region closest to the observer emphasizing the sense of perspective and depth.
The empty point when positioned in the golden proportion brought harmony naturalness and a lot of proportion to this composition which even developing on a single rock wall makes evident the harmonious 3:2 proportion in this montage.
The choice of very small “lamp-eyes” was smart as it contributed to enhancing the grandeur of the scenery. I would only be more cautious in the future in using colored Neocaridines in works like this as the intense red in this case could have gotten in the way if they were more evident.
I particularly question the excessive amount of plants in the frontal plane which in my opinion lacks a cosmetic sand void even to create a counterpoint to the upper void but definitely it's just a detail and that in no way discredits this impressive work.

Well I can't get enough of looking at this beautiful layout as it's both very intense and simple. Less is more.

Works like this make our community stronger!
Congratulations on your dedication talent and daring.
You are my number one.

Comments from Mr. Juan Puchades Rufino

This is without a doubt a masterpiece of rock arrangement. Slice by slice the author created a perfectly balanced scenario with a huge understanding of the natural erosion created by water with the pass of time.

About the tank I just deducted some points about the long term viability and the maturity of plants.
This is no doubt the masterpiece of 2022 for my taste and a great candidate for best of show. Congratulations.

Comments from Mr. Jhonny Vanegas Cardenas

To be in this aquascaping level you have to be a nature perfect observer. I see dedication time patience nature understanding respect research in one layout.
The feelings with this tank is honestly one of the greatest feelings in this contest thank you for sharing with us this masterpiece and for me Best of Show. Well deserved all points. :)

 

Leave your comments
Latest on News & Press
  • Analyse Spain aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Spain at IAPLC 2026: Roberto Buenadicha’s Forest and the Space Between Trunks

    Roberto Buenadicha’s aquarium is the only Spanish work in the published ranks 1–300. Its slender dark trunks, fine green planting and conspicuous pale fish make it a rewarding individual study. This instalment returns to the older Spain introduction through one photograph, keeping the scope small enough for the evidence available.
  • Analyse France aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    France at IAPLC 2026: A Close Reading of Jean Christophe Grosset’s Woodland

    Only one French work appears in the published ranks 1–300. That gives this instalment a different task: a close reading of Jean Christophe Grosset’s aquarium, with the older country introduction as context. The photograph deserves attention for its own wood, planting and fish relationships, rather than being made to represent every French aquascaper.
  • Analyse Singapore aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Singapore at IAPLC 2026: Open Stone and an Enclosed Planted Passage

    Two Singaporean works appear in the published ranks 1–300, and they offer an unusually clear contrast. One makes open water and two main stones central; the other encloses a small rear opening within dense planting and roots. The pair is useful precisely because it does not support one simple visual label.
  • Analyse Hong Kong aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Hong Kong at IAPLC 2026: Three Studies in Light, Layers and Visual Impact

    A low timber ceiling, blue-toned terraces and converging planted diagonals create three visibly different aquariums. Hong Kong’s represented works at ranks 1–300 offer a compact study of visual impact beyond the season’s leading awards. Looking at them closely is more informative than treating the cutoff count as a verdict on an entire aquascaping community.
  • Analyse Italy aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Italy at IAPLC 2026: Calm Routes and More Dramatic Planted Frames

    A clear route through planted banks can feel quiet; a coloured ridge beneath a dark frame can feel theatrical. The four Italian photographs selected for this study offer both experiences. Together, they make a useful contemporary comparison with an archive that once placed particular emphasis on calm, enduring-looking compositions.
  •  Analyse United States aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium

    The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label.
  • Analyse Germany aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water

    A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships.
  • Analyse Taiwan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth

    Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation.
  •  Analyse Thailand aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork

    Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph.
  • Analyse Indonesia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames

    The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff.
  • Analyse Malaysia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish

    A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately.
  • Analyse Brazil aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label

    Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe.
  • Analyse Japan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions

    A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage.
  • Analyse China aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    China at IAPLC 2026: How Layered Wood Creates Convincing Depth

    The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
  • Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity

    Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene.
  • Use the existing CIAC cover style with the wording “CIAC 2026 / OFFICIAL RESULTS / RANKINGS TO 119”. Use an actual contest photograph; do not claim “119 entries” or “full results”.

    CIAC 2026 Official Results Update: Rankings Extend to 119

    The CIAC 2026 Aquascaping Category results have received an official update. A results sheet distributed by the organising committee on 14 October lists ranks 14–119, extending the ranking information available beyond the image cards previously covered by AquaLibs.