AquaLibs presents AquaRank Discover the world’s leading aquascapers

Explore transparent rankings built from published results across the world’s leading aquascaping contests.

[TheStoriesOfTop7] Sunrise in the Valley - Marcelo Tonon Chiovatoo / Brazil - IAPLC 2013

Although it did not win the Best Aquarium of any judge, it was ranked third in the world ranking because each judge scored high for this work. Ms. Karen Randall, from the United States, said that she could not decide whether she should choose Mr. Marcelo's work as her Best Aquarium until the last minute. She commented, "this tank is a little more "gimmicky" than I usually like, but it is done SO well! The planting is bright and beauti- ful, the rock work exquisitely done and the fish choice is also excellent. The shale-strewn valley is just beautiful! The "waterfalls", I'm not sure how they were done... it is impossible to see them well enough in the very small photo I have, even using a loupe. But between them and the wonderful lighting chosen, the effect is magical! I expect to hear elven singing when I gaze into the aquascape!" Ms. Karen said. As can be seen in "Sunrise in the valley", one of the trends of this year's entries is superior lighting effect during the shooting. However, such effect may work negatively on some judges if it is excessive.

The first Silver Prize winning entry depicts an impressive waterfall and stream in the center. The waterfall which displays perspective is an elaborate idea, though there may be some arguments for and against the use of artificial object such as cotton. The interesting part of this work is the contrast of terrestrial landscape recreated in diorama style in the center of the layout and the surrounding aquatic plants arranged following the traditional aquascaping methods. Excellent fusion of diorama-style expression and aquascape expression presents a new potential for planted aquarium.

IAPLC 2013 - World Ranking 0002

Sunrise in the Valley

Author: Marcelo Tonon Chiovatoo / Brazil

Aquatic Plants

Rotala rotundifolia (Green)

Rotala rotundifolia

Eleocharis minima

Marseilles hairy

Glossostigma elatinoides

Callitriche sp.

Starogyne sp.

Limnophila sp. Vietnam

Hemianthus callitrichoides 'Cuba' Taxiphyllum sp.

Fish & Invertebrates

Hyphessobrycon Flammeus

Comments

Year after year I have felt a gratifying feeling on participating in this exciting contest. And every year, just like any other contestants, I spend some exciting months waiting anxiously for the ADA's letter. This year, the dream came true! The feeling of receiving this award is very good and I'm sure that this moment will mark my life forever. Have been awarded third place in a league full of true artists around the world is a great honor. I and my Brazilian aquascaper friends are truly happy with this achievement that symbolizes our growing pas- sion for Nature Aquarium. I was born and live in São Paulo, a frenetic megalopolis where people have little time to enjoy the beauty of nature. Handle with underwater plants, fishes, rocks, wood... To sit every night in front of my tank and observe the beauty of life, right before my eyes, brings me back to the roots, I mean, closer to nature. The inspiration for this work came from my visit to two beautiful places in Brazil: Iguaçu Falls and Itaimbezinho Canyon. I had an indescribable feeling ahead of the hundreds of existing water- falls and cataracts, pouring the biggest volume of water I have already seen through my eyes. Then, I felt that it would be a pleasurable challenge trying to mount a landscape which could represent that wonderful feeling. My wife and I are so happy with the award. And, we decided that it would be the right time to fully live this dream. Despite living on the other side of the world, we are travelling to Japan to take part on the NA Party. It will be our first travel to Japan and I am sure it will be an unforgettable moment in our lives.

Leave your comments
Latest on News & Press
  • Analyse Spain aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Spain at IAPLC 2026: Roberto Buenadicha’s Forest and the Space Between Trunks

    Roberto Buenadicha’s aquarium is the only Spanish work in the published ranks 1–300. Its slender dark trunks, fine green planting and conspicuous pale fish make it a rewarding individual study. This instalment returns to the older Spain introduction through one photograph, keeping the scope small enough for the evidence available.
  • Analyse France aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    France at IAPLC 2026: A Close Reading of Jean Christophe Grosset’s Woodland

    Only one French work appears in the published ranks 1–300. That gives this instalment a different task: a close reading of Jean Christophe Grosset’s aquarium, with the older country introduction as context. The photograph deserves attention for its own wood, planting and fish relationships, rather than being made to represent every French aquascaper.
  • Analyse Singapore aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Singapore at IAPLC 2026: Open Stone and an Enclosed Planted Passage

    Two Singaporean works appear in the published ranks 1–300, and they offer an unusually clear contrast. One makes open water and two main stones central; the other encloses a small rear opening within dense planting and roots. The pair is useful precisely because it does not support one simple visual label.
  • Analyse Hong Kong aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Hong Kong at IAPLC 2026: Three Studies in Light, Layers and Visual Impact

    A low timber ceiling, blue-toned terraces and converging planted diagonals create three visibly different aquariums. Hong Kong’s represented works at ranks 1–300 offer a compact study of visual impact beyond the season’s leading awards. Looking at them closely is more informative than treating the cutoff count as a verdict on an entire aquascaping community.
  • Analyse Italy aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Italy at IAPLC 2026: Calm Routes and More Dramatic Planted Frames

    A clear route through planted banks can feel quiet; a coloured ridge beneath a dark frame can feel theatrical. The four Italian photographs selected for this study offer both experiences. Together, they make a useful contemporary comparison with an archive that once placed particular emphasis on calm, enduring-looking compositions.
  •  Analyse United States aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium

    The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label.
  • Analyse Germany aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water

    A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships.
  • Analyse Taiwan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth

    Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation.
  •  Analyse Thailand aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork

    Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph.
  • Analyse Indonesia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames

    The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff.
  • Analyse Malaysia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish

    A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately.
  • Analyse Brazil aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label

    Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe.
  • Analyse Japan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions

    A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage.
  • Analyse China aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    China at IAPLC 2026: How Layered Wood Creates Convincing Depth

    The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
  • Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity

    Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene.
  • Use the existing CIAC cover style with the wording “CIAC 2026 / OFFICIAL RESULTS / RANKINGS TO 119”. Use an actual contest photograph; do not claim “119 entries” or “full results”.

    CIAC 2026 Official Results Update: Rankings Extend to 119

    The CIAC 2026 Aquascaping Category results have received an official update. A results sheet distributed by the organising committee on 14 October lists ranks 14–119, extending the ranking information available beyond the image cards previously covered by AquaLibs.