AquaLibs presents AquaRank Discover the world’s leading aquascapers

Explore transparent rankings built from published results across the world’s leading aquascaping contests.

[TheStoriesOfTop7] Great Wave - Luis Carlos Galarraga / Brazil - IAPLC 2024

The driftwood is arranged high enough to reach the water's surface, and decorative sand is laid in the foreground, making full use of the Internal space of the standard 1200mm aquarium, which is only 450mm in height, creating a powerful composition. The creator likens the composition to ocean waves, beautifully and dynamically depicting the huge, crashing swells. Additionally, the aquatic plants are meticulously arranged to complement the layout, with stem plants placed behind the driftwood on both sides, balancing the background space. The use of Bucephalandra in the shadow of the central driftwood and the mixing of fine gravel with the decorative sand are just some of the thoughtful touches that demonstrate the creator's expertise. This is truly a remarkable work that shines with mastery in detail.

IAPLC 2024 World Ranking Announcement - World Ranking 0001 - Grand Prize

Great Wave

Aquascaping steps Great Wave IAPLC 2024 GrandPrize - Luis Carlos Galarraga / Brazil

Author: Luis Carlos Galarraga / Brazil

Aquarium Size/W1,200×D600×H450 (mm)

Aquatic Plants

Micranthemum tweediel

Glossostigma elatinoides

Littorella uniflora

Eleocharis 'Minima'

Marsilea hirsuta

Ranunculus papulentus

Vesicularia montagnel

Riccardia chamedrifolia

Anubias sp. 'Mini coin'

Anubias sp. 'Pangolino'

Bolbitis sp. Mini

Leptochilus pteropus 'Windelov'

Leptochilus sp. Mini

Cryptocoryne 'Pigmaea'

Bucephalandra sp.

Utricularia graminifolia 

Rotala sp. 'green'

Rotala nanjean

Rotala sp. 'Bangladesh'

Pogostemon erectus

Limnophila helferi

 

Fish & Invertebrates

Hyphessobrycon elachys

Trigonostigma hengeli

Nannostomus marginatus

Danio erythromicron

Caridina japonica

Caridina pareparensis

AWARDS

World Ranking 0001 Grand Prize IAPLC 2024

The first place (Grand Prize) in the IAPLC 2024 World Ranking was awarded to Mr. Luiz Carlos Galarraga from Brazil for his work "Great Wave," which scored a total of 1,294 points. Six out of ten judges selected this work in their individual top ten, with Mr. Adip Sajan Raj (India) and Mr. Yusuke Homma (Japan) choosing it as the Best Aquarium.

Comments from Mr. Adip Sajjan Raj (India)

My pick for the year 2024 is the Aquascape titled 'Great Wave'. In this aquascape I feel the power of a wave by the arrangement of the drift- wood but then there is tranquillity rendered by the entire aquascape, which is well articulated by the use of various aquatic plants. The use of Eleocharis at an elevation and the liberal use of Riccardia subdue the effect of the powerful wave like driftwood in certain areas and also brings an amalgamation of brown and green colors in a harmonious way thereby creating a dramatic effect. The use of the ripple on the water surface is also very nicely done as to showcase the depth in this aquascape, the ripple blends into the infinite background. The contestant has also very smartly used some stem plants in the back- ground at the corners to hide the edge of the glass to create a perfect image. The concept, art and direction seem to appeal to the viewer and he has my best wishes for the art that was captured in this image.

Comments from Mr. Yusuke Homma (Japan)

My best aquarium for 2024 goes to "Great Wave" which featured an innovative and impressive layout material. All the top works were of high quality, making it difficult to choose between them. However, the unique composition stood out significantly from the others. The main driftwood seems to be a combination of multiple driftwoods, and it gives a unique texture and expression, which feels new. If it were just a single piece of driftwood, it would be too large, but by combining multiple pieces and attaching moss in small specific areas, the overall impact is effectively softened. The planting is detailed but does not use particularly distinctive plants. It is well-co- ordinated and I found it appealing. Among many works that feature combined driftwood, this one stands out by creating a sense of spaciousness and freshness through its generous use of space. The positioning of the fish is also very nice. In reviewing many works, the first impression holds significant weight for me. Original works that make a strong first impression are more memorable. I also consider the impression of impression area of the underwater environment the attention to detail, and the passage of time. Among many works with a sense of detail, and the painality showcased in this work was the key factor in my decision.

Comments

This year I knew I had done a great job, with a good chance of achieving a prominent position. For the first time, I started with an idea and went in search of the best material to execute the work. My team, the Aquabase Layout Team, encouraged me, recognizing it as the work with the greatest impact of my entire career. So, the expectations were very high on August 31st. At the beginning of the broadcast, my nervousness was noticeable. When the ranking 51 was announced, I thought, the first objective (to be in the top 50) had been accomplished. The top 27 arrived, and I was already Honor Prize. When the ranking 8 was announced, I started to think about the possibility of my aquarium not being among the top 100, the tension was felt in the air. My heart was beating fast in my chest, and when I finally saw my work being announced at the highest place on the podium, I fell to my knees, crying convulsively. My biggest dream had just come true!

Leave your comments
Latest on News & Press
  • Analyse Spain aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Spain at IAPLC 2026: Roberto Buenadicha’s Forest and the Space Between Trunks

    Roberto Buenadicha’s aquarium is the only Spanish work in the published ranks 1–300. Its slender dark trunks, fine green planting and conspicuous pale fish make it a rewarding individual study. This instalment returns to the older Spain introduction through one photograph, keeping the scope small enough for the evidence available.
  • Analyse France aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    France at IAPLC 2026: A Close Reading of Jean Christophe Grosset’s Woodland

    Only one French work appears in the published ranks 1–300. That gives this instalment a different task: a close reading of Jean Christophe Grosset’s aquarium, with the older country introduction as context. The photograph deserves attention for its own wood, planting and fish relationships, rather than being made to represent every French aquascaper.
  • Analyse Singapore aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Singapore at IAPLC 2026: Open Stone and an Enclosed Planted Passage

    Two Singaporean works appear in the published ranks 1–300, and they offer an unusually clear contrast. One makes open water and two main stones central; the other encloses a small rear opening within dense planting and roots. The pair is useful precisely because it does not support one simple visual label.
  • Analyse Hong Kong aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Hong Kong at IAPLC 2026: Three Studies in Light, Layers and Visual Impact

    A low timber ceiling, blue-toned terraces and converging planted diagonals create three visibly different aquariums. Hong Kong’s represented works at ranks 1–300 offer a compact study of visual impact beyond the season’s leading awards. Looking at them closely is more informative than treating the cutoff count as a verdict on an entire aquascaping community.
  • Analyse Italy aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Italy at IAPLC 2026: Calm Routes and More Dramatic Planted Frames

    A clear route through planted banks can feel quiet; a coloured ridge beneath a dark frame can feel theatrical. The four Italian photographs selected for this study offer both experiences. Together, they make a useful contemporary comparison with an archive that once placed particular emphasis on calm, enduring-looking compositions.
  •  Analyse United States aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium

    The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label.
  • Analyse Germany aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water

    A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships.
  • Analyse Taiwan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth

    Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation.
  •  Analyse Thailand aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork

    Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph.
  • Analyse Indonesia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames

    The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff.
  • Analyse Malaysia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish

    A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately.
  • Analyse Brazil aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label

    Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe.
  • Analyse Japan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions

    A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage.
  • Analyse China aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    China at IAPLC 2026: How Layered Wood Creates Convincing Depth

    The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
  • Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity

    Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene.
  • Use the existing CIAC cover style with the wording “CIAC 2026 / OFFICIAL RESULTS / RANKINGS TO 119”. Use an actual contest photograph; do not claim “119 entries” or “full results”.

    CIAC 2026 Official Results Update: Rankings Extend to 119

    The CIAC 2026 Aquascaping Category results have received an official update. A results sheet distributed by the organising committee on 14 October lists ranks 14–119, extending the ranking information available beyond the image cards previously covered by AquaLibs.