BRONZE PRIZE

The water flow running through the left front side from the right far corner is well expressed. A sense of depth created by driftwood is overemphasized, but the layout's balanced composition

The second Bronze Prize went to the work depicting a forest in autumn. Although the motif of this work is the same as those of the second and third place-winners, the placement of a large fallen

This work impresses with its strong composition and the contrasting colorful arrangement of aquatic plants. The composition, unified by diagonal lines, is simple but exudes strength, drawing the

The third Bronze Award winning aquascape gives an interesting impression made by a nice blending of its diorama like aspects and underwater appearance. Among many entries showcasing forest

The second Bronze Prize went to an aquascape which is a fusion of a interesting composition and beauty of aquatic plants. As a trend of recent contests, compositional eccentricity tends to be

Interestingly, the first Bronze Award winning aquascape uses straight driftwood pieces similar to the ones in the Grand prize work. Making the most of the characteristics of driftwood, the layout

Here is the second Bronze Prize winning layout characterized by its gentle wood work. The maker mainly used moss for the layout, but he has avoided a monotonous manner by planting lighter green

The expression depicting an overhangling rack walll lis very powerful. The bold and wild composition helps express the water flowing from the rear right of the center to the left front, adding a

The first Bronze prize is awarded to a forest style aquascape, a popular theme of the contest. Thick driftwood pieces are used to create trunks, branches, and roots of the trees that form the

The second Bronze prize goes to an aquascape that features an old fallen tree created with driftwood. There is a large tree on both sides, and the fallen tree in the center. The passage of time

The sixth place (Bronze Prize), with a score of 947 points, went to Mr.Takashi Hosoda from Japan for the work "meotogi". Two out of ten judges selected this work in their top ten, and Mr. Albert

The creator emphasizes the perspective by designing a dynamic driftwood arrangement. Despite a roughly finished foreground, it's saved by dramatic composition and overall impression of the

It's a very unique layout presenting a scene of driftwood branches entangling stones. The layout can be seen more like ancient remains left abandoned long ago and covered by plants than natural

The first Bronze Prize went to the work with its fresh greenery and soft expression. The compositional material is stone, and although a large number of stones are used, the hardness of the

The third Bronze Prize went to an aquascape in which scenery of a valley was expressed with a distinctive atmosphere. While assuming that a super wide-angle lens would be used for photoshooting

The first Bronze Prize went to an aquascape with impressive exposed layered rock surfaces. By arranging materials to make them look like a valley with rock cliffs rising to the left and right,

The creator of this layout used fine driftwood pieces to express tree roots eroded by water. This expression is reminiscent of riverside or underwater of tropical rainforest waters. There were

This work boldly uses driftwood to depict a giant tree. The large, thick branches radiating outward from the center of the aquarium create an impactful presence, while the aerial roots hanging

The composition of this layout is orthodox but the overall balance is excellent. The perspective is also very well expressed with stone and cosmetic sand. The arrangement of aquatic plants is

The last Bronze prize goes to an aquascape that showcases a unique rock arrangement. Skillfully stacking rocks, the creator captured a scene where the uppermost layer of bedrock has protruded,